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Tuesday, January 31, 2012

The fabric of relationships

Narayan Devanathan / Jan 23, 2012, 00:56 IST

Unlike clothes, brands don’t come with care instructions. There are no labels for brand managers that say “Manage with care. Do not treat customers coldly. Use warmth inside out. Do not behave like machines. Use kid gloves instead of iron hands to handle criticism. Do not ever wash your hands off even your worst customers.” Sometimes though, you wish they did come with an instruction label. Maybe then we’d realise that our jobs are not remotely over as we soon as the consumer buys our brand. That’s only the beginning.

This analogy with clothes probably brings home the care and concern that need to be demonstrated in the long term in order for brand relationships to thrive. Without the proper care, colours on clothes will fade very quickly. Prints will start to smudge. Sometimes patches will get stretched until they fray. But the most telling signs will be when the garment starts to unravel, thread by thread.

The thing is, you can be fooled into thinking your garment is looking as good as new after the first couple of washes. But think about it. Unless it looks as good as new even after some time, you’ll tend to pick up and wear something that looks newer, sharper, better. Once the garment starts to fade, fray, wear, and tear, you’ll discard it in favour of something newer.

The thing about all of these occurrences is not just that they will happen without the proper care. It is that they happen almost imperceptibly over time, with neglect. And that is probably the most telling metaphor for what happens to relationships—among people, and as relevantly, between brands and people.

Your brand may be loved when it’s newly purchased and shiny, sharp and good-looking. But how many brands pay attention to the colour fading, the unraveled stitch, the shiny under arm patch that will soon result in a tear, the dirty collar of brand relationships? We talk about brand loyalty as if it is one cohesive entity that shifts visibly. But like a frequently-washed and worn garment, it loses shape and wears away, one tiny patch at a time. We talk about rewards programs as if they were a cure-all for all relationship ills with customers. But what people actually want are constant care.

So what is the best way to keep the fabric of brand relationships looking new and wearable for a long time? It’s to understand that there is a need to care for every warp, every weft of the fabric.

And when you stop to think of the one person who intuitively knows and cares for fabrics to look and be good in the long run, without an instructions label, its mom. Perhaps what we need is for brand managers to become moms to their brands. (The author is National Planning Head, Dentsu Marcom)

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Single engineering entrance examination likely from 2013

Single engineering entrance examination likely from 2013A formal notification on the matter will be issued next month Kalpana Pathak / Mumbai Jan 26, 2012, 00:04 IST

Come February, and the cloud over the issue of conducting a single entrance examination for admissions to engineering institutes may finally be cleared. Directors of Indian Institutes of Technology (IITs), National Institutes of Technology (NITs) and Indian Institutes of Information Technology (IIITs) that Business Standard spoke to said that by the end of February 2012, there may be a consensus on whether to hold a single entrance examination in 2013 and thereon.

The Joint Entrance Examination (JEE) held for admissions to the IITs and the All India Engineering Entrance Examination (AIEEE) for admission to Centrally-funded technical institutes may be merged to create a single entrance test.

"Directors of the IITs, NITs, IIITs and Indian Institutes of Science Education & Research (IISERs) have been asked to give their feedback. A formal notification on this will be issued next month. Mostly, we are all on the same page," said an IIT director on the condition of anonymity.

In September 2011, the IIT council had accepted the recommendations of the T Ramaswami committee report on JEE reforms and proposed a single entrance test for all engineering colleges, including IITs, NITs and other engineering institutions.

Key reforms that the committee was looking at include reduction in the number of examinations to one; testing knowledge intensity; alignment to the 12th class syllabus; reduction of dependency on coaching and pressure on students and emphasis on aptitude among other things.

IITs say a formal notification will be issued with details of the examination format to be followed by IITs. That is, while considering a student for a seat — whether to give 50 per cent or 60 per cent weightage to the board exams and the rest to IIT-JEE scores.

Centrally-funded technical institutes along with other Deemed Universities and Technical Institutions offer admissions to students through AIEEE.

Last year, 10,53,807 candidates took the AIEEE exam out of 11,14,541 registered candidates. Approximately 34,311 seats are there for BE and BTech and 1,070 seats for Bachelor of Architecture and Bachelor of Planning in various institutions. The institutes located in West Bengal, Himachal Pradesh, Haryana, Uttarakhand, Punjab, Chandigarh and Delhi accepted AIEEE scores to admit students.

There are four IIITs at Allahabad, Gwalior, Jabalpur and Kanchipuram. Total number of NITs at present is 20. Also, 10 new NITs are proposed to be set up during Eleventh Five Year Plan. NITs are expected to be at par with other national level technical institutes.

IIT-JEE, say IIT directors, has become a craze among students, largely because of the high-paying jobs one lands after an IIT degree.

"Entrance examination is a big racket in our country. And if you want to reduce the number of examinations, then different systems should not be asked to hold different examinations," said another IIT director.

Last year around 4.85 lakh students — an increase of 6.5 per cent or 30,000 — appeared for the joint entrance examination to seek admission to 9,600 seats on offer in 15 IITs.

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Indian brands warming up to Facebook ads in news feeds

Indian brands warming up to Facebook ads in news feedsSome are still circumspect, but most think it?s a smart platform for promotions Shivani Shinde / Mumbai Jan 25, 2012, 00:53 IST

Facebook, the world’s largest social networking site, has just launched a new initiative under which advertisements will appear in the form of ‘stories’ or posts about a product in its news feed labelled as ‘featured’. Marketers can only pay for these adverts to appear in a user’s feed if the user has already ‘liked’ the page. And the advertiser does not have the option to add its own additional message once the post is live.

Though the ads have generated a huge controversy abroad and are yet to be rolled out in India, many Indian companies using the social media platform as their marketing strategy are keenly watching.

The advertisements are displayed based on what users have ‘liked’ and actions made by their friends.

“I think ‘featured’ advertisement will make an impact if they are saying something significant. If a brand is just trying to give information, it won’t work well. For MTV, I do not see us using it till we have something to talk about. With every other advertisement medium, it’s how you make use of the platform is what matters in the long-run,” says Aditya Swamy, EVP and Business Head, MTV India.

Others have a different take. “I think it’s a very smart move from Facebook, but more importantly an amazing opportunity for brands. One has to move beyond creating a base of ‘likes’ or ‘fans’. I think this will allow brands to grow organically and create communities that connect with people who share similar passions,” says Sunil Chandarana, CTO, EBS Interactive.

Hareesh Tibrewala, Joint CEO, Social Wavelength, a social media agency, believes since these featured ads will sit within the news feed, visibility for this communication should be a lot higher. “However since FB intends to show only a limited number of sponsored stories to a consumer in a given time frame, available inventory will be limited,” he added.

For Facebook, this would mean further opening up its revenue from advertisement, but brands are not looking at this in seclusion. “We do not evaluate one avenue in competition with another. For us, all kinds of media have a role to play and we believe that sponsored stories as a part of news feed will have its own utility in furthering brand messages. We believe that content and messaging has to spread into four parts – Paid, Owned, Earned and Shared media. Any one of these cannot take the brands too far. One cannot pay one’s way to greatness anymore,” says the spokesperson of Coca-Cola India.

Jet Airways, that recently crossed a milestone of 300,000 fans on Facebook, believes that if used smartly, ‘featured ads’ can enhance brand visibility and achieve higher impact and click through rates with a higher engagement with their guests.

The airline started utilising social media platforms starting January, 2010 and is currently present on six social media platforms i.e. Facebook, Twitter, YouTube, Flickr, LinkedIn and Foursquare. But each of these are used differently.

“Over 80 per cent of Jet Airways’ marketing spends are in the digital space and social media share is substantial,” adds a company spokesperson.

Zafar Rais, Founder and CEO of MindShift Interactive, says that of the top 50 brands in India, over 32 are using the social media platform actively, and it is estimated that the budgets for social media spend in India is expected to touch Rs 1200 crore. But going ahead only those brands that have a content that can engage with users will optimise their presence on these platforms.

One of the successful campaigns run on Facebook recently was PepsiCo India’s ‘Change the Game’ around 2011 Cricket World Cup. PepsiCo India decided to run a Reach Block on February 11 this year to guarantee that it would reach 100 per cent of its target audience over a 24-hour period. Reach block had open targeting.

The campaign was run in three parts. The first part featured a video plus poll engagement format that included a TV commercial featuring cricketer-turned-umpire Billy Bowden. This asked people to vote for their favourite game changing plays. The second was a premium video Like Ad that encouraged people to watch another of PepsiCo India’s TV spots and to connect to the Pepsi India Page. The third ad drove people to ‘The Biggest Wave” application on PepsiCo India’s microsite. The impact was that the reach block was viewed by 19 million times, topping PepsiCo India’s target by 145 per cent .

PepsiCo India says it was impressed by how viral the campaign went on Facebook. “Quite simply put, one out of two impressions a user saw carried the names of his friends who had liked or engaged with the ad,” says the company. PepsiCo India says it has learnt that it is important to focus on how to engage fans than simply acquiring them.

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Tech firms score with offline ads

Tech firms score with offline adsMicrosoft, Google have seen their market share moving up rapidly after promotions on television Priyanka Joshi & Sarmistha Neogy / Mumbai Jan 23, 2012, 00:54 IST

When technology bellwethers take to TV promotion, you know they are targetting more than just the online crowd. Microsoft and Google have been flashing TV ads in India, where each company is trying to humanise its technology products and services.

Microsoft has chosen TV advertising to emphasise how families can sync and share data across devices, while Google’s 90-second advertisements show the story of a South India-based artist, G Rajendran who uses the web to keep the dying art form ‘Tanjore’ alive. The ad shows how the artist’s decision to launch an online shop for his paintings helps him in his business.

The ad focuses on the use of Google Search and AdWords. “Chrome is designed to help you make the most of the modern web. ‘The Web Is What You Make It’ campaign is all about inspiring more people to get online and change their lives,” says Nikhil Rungta, head marketing, Google India.

Earlier Google commercials, “Letters from Dad”, etc were meant to showcase how parents can take advantage of technology and web services to capture and document the lives of their children. Its second TVC, “Archana’s Kitchen” tells the story of Archana who grew up in Tamil Nadu and took forward her childhood passion of cooking to the web through Blooking (Blog Cooking). Rungta gives credit to the extensive TV campaigns for Google’s market share moving from 13 per cent to 37 per cent by the end of 2011.

TV ads have delivered a similar success story for Microsoft, which rolled out several new commercials in 2011 and more are expected in 2012. “The idea was to introduce to the family how Microsoft products can improve their daily lives,” says Amrish Goyal, Director (Windows Business Group), Microsoft. The technology company drives home the point that Microsoft Office products are easy-to-use in a commercial when a father and son swap their Windows 7 laptops, with the son surprising the father by adding a few visual additions to his office presentation.

Microsoft claims that since it began running the TV commercials in India, it has seen more than 7 per cent increase in “intent of purchase” at the stores. “We have seen an increase in sales of Windows products and that gives us confidence to push more TV commercials focused on other Microsoft products and services in 2012,” says Goyal.

While Microsoft got the ads commissioned and executed by international agency Crispin Porter+Bogusky, Google India signed on Bartle Bogle Hegarty’s India (BBH) to show how the internet has changed people’s life for the better.

“It took more than eight weeks to develop the advertisement and a lot of attention was given to minute details. We flew around 50 paintings from Chennai to create a proper background which was the backbone of the commercial. It has been depicted without a single use of any computer in the commercial. Instead, several windows resonating different sections of his website are shown in a physical state,” points out Rungta. The search giant already runs billboard adverts and extensive online campaigning on its web properties. With the new TV ads, it hopes to convert general consumers to use its services.

Microsoft, on other hand, will continue to launch TV commercials targeted at the family in 2012. “For the younger consumers, we have an active social media and online campaign strategy in place. In fact, we have two people from India dedicated to monitor the social web and manage the Microsoft campaigns while a team of 15 people manage the India marketing side,” says Goyal.

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A recipe for success

Sarmistha Neogy / Mumbai Jan 23, 2012, 00:51 IST

Del Monte has found an unusual spokesperson in Chhota Bheem, an animated character from the eponymous series on Pogo.

Who takes the all-important decision regarding what to buy and which food or beverage brand to pick up at retail in a typical Indian household? Of course, it’s the lady of the house. But Del Monte seems to think it’s a better idea to target the children to drive home its message.

And the company has found an unusual spokesperson in Chhota Bheem. Chhota Bheem is a courageous and fun loving nine-year-old animated boy, who is gifted with extraordinary strength and is seen as a protector of the poor and weak. The eponymous series is telecast on Pogo, Turner’s only-for-India kids’ entertainment channel. This fun-loving character, created by Rajiv Chilaka, CEO, Green Gold Animation, has won hearts with his adventures and is well known for his love for food, making him a perfect spokesperson for the brand in its new television commercial (TVC) of Del Monte, according to the company.

The TVC, created by Pogo, opens with Chhota Bheem playing a prank on his aunt, Tun Tun Mausi. Mausi is shown frying hot samosas in her kitchen and she is suddenly confronted with two ghost-like creatures. She is understandably scared but is relieved to see Chhota Bheem appearing quickly and fighting off these ghastly creatures. She rewards him with a plateful of samosas and also hands him the bottle of easy-to-squeeze Del Monte ketchup. The commercial ends with the two ghost-like creature unravelling their identities-they are none other than Chutki and Raju, two of Chhota Bheem’s friends. The three boys then enjoy the snack, made even more tasty with a generous dollops of the ketchup, and have a hearty laugh over the good-humoured prank.

“Through our commercial, we are targeting children in the age band of four to 14 years,” says Yogesh Bellani, business head, Del Monte food business, FieldFresh Foods, a joint venture between Bharti Enterprises and Del Monte Pacific Ltd. “After a lot of research we found that kids are usually the end users and purchase influencers in this category and so we felt the need to tap this area.” Bellani adds that in order to gain attention of children and also as part of the promotion, the company is giving a free Snapper Band with one of the Chhota Bheem series characters imprinted upon it with every pack of the re-usable plastic ketchup bottle.

“The brief given by Del Monte to our channel was to make a ketchup commercial that attracts the attention of a child easily,” says Juhi Ravindranath, network head, ad sales, South Asia, Turner. “As kids were the core target group, we decided to use the Del Monte squeezy format as the pivot which is very child friendly and saves mothers the worry about the kids making a mess or breaking bottles. The activity was meant to engage with kids (and thereby moms), the key theme being the taste of Del Monte ketchup, which is summed up in the tagline, ‘The taste you will fall in love with’.”

In sum, the creative rendition was meant to highlight the easy of use and the fun element of the Squeezy packaging along with the product’s core proposition-taste-in a seamless and memorable way. Memorable because this is a heavily advertised category and the company figured it will take some amount of ingenuity to stand out.

While analysts say India is a sauces and condiments country, the market for ketchups here is highly fragmented with a major portion of the pie gobbled up by local players. Changes in the consumption pattern of the youth-where they seem to be enjoying pizzas, burgers, fries, pastas quite regularly these days-have led to an uptick in ketchup and sauces sales. Various easy ways of packaging like the flexible plastic packaging, or the use of Tetra Pak and aseptic Brick packing have made it possible to distribute tomato products to remote areas and store them at room temperature for a longish period of time.

According to Euromonitor International data, the ketchup market in India is valued at Rs 638 crore in 2011. It projects the ketchup market will be worth Rs 806 crore in 2012. According to various estimates, Maggi (Nestle) tops the market share chart, followed by Kissan (HUL) and Heinz (Heinz Co, HJ).

Bellani says, “The growth of out of home consumption is terrific, which is around 25 per cent while the in-home consumption is around 12-14 per cent. The high rate of inflation and the proliferation of regional brands are some of the major challenges which the food and beverage industry is facing now.”

Ravindranath recalls some challenges faced by the team while it was working on the ad: “First, the storyboard went through several changes till the final cut was approved. Then the Chhota Bheem slap-bands were enroute from China and the product to market deadline was around the corner; hence the turnaround time was critical for the success of this project. However, Turner Sponsorship & Promotion and the sales department ensured that the production time-lines were adhered to without compromising on quality of the original animation used in the commercial.”

For the records, Del Monte was brought to India in 2008, through a JV, Field Fresh Foods, between Bharti Enterprise and Del Monte Pacific Ltd. In order to break the already clustered market at that time, it came out with two innovative variants in tomato sauces-Zingo and Twango. Zingo offers a sweet and spicy taste, capturing the essence of far eastern cuisine, and is a mixture of red chillies, red bell pepper, garlic and ginger creating an alluring Asian taste. Twango is a tangy and fruity sauce that brings an unusual twist to regular tomato-based sauces. A mustard flavour is the most recent variant added to Del Monte’s sauce portfolio. The inaugural commercial from the Del Monte stable, “Oye Ruk”, targeted women as its primary audience with theatre and television actor Shefali Shah as the protagonist, who was seen flying across television screens chasing bottles of Del Monte sauces.

From the looks of it, like many marketers before it, Del Monte has decided it is high time it cottoned on to children’s influence on their parents’ spending.

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Answers to last week's quiz (#236)

Answers to last week's quiz (#236)Strategist Team / New Delhi Jan 23, 2012, 00:05 IST

With whom is the phrase “No Free Hunch” connected?
No Free Hunch is the official Kaggle blog. Kaggle is an innovative solution company for statistical/analytics outsourcing, that harnesses the power of crowd sourcing. 
What system was introduced into the rest of Europe and the world by émigré Venetian glass-blowers to protect their skills against those of local workers?
The system of patenting. It is claimed to have been first introduced in Venice Italy during the late 1400s. 
This person exchanged his French citizenship for American in the 40s, saying that it was thanks to the US that he had a wonderful wife, a good job and the ability to do something for them. Name the person and one the first’s linked to him.
General Georges Doriot is considered as the person to have started the first Venture Capital Company. 
What was priced at USD 666.66 as the mark of the beast when it was introduced for the first time?
The first Apple Computer designed by Steve Wozniak co founder of Apple. The pricing was Wozniak’s prank. 
Who own the brands A+ and a+? One of them is accused of infringing the other.
A+ is Amul’s dairy brand and it is claiming damages from Nestle for infringing on its brand by launching a yoghurt brand a+. 
What is the term that describes people working in a shared work environment alongside with others normally not from the same organisation? It was coined by a Game designer, writer and humorist. Name him also.
Term ‘co working’ was coined by Bernie DeKoven in 1999. 
Founder of this brand held a variety of jobs including: farm hand, streetcar conductor, an army private in Cuba, rail yard fireman, blacksmith’s helper, insurance salesman, tire salesman and service station operator. His brand is the main sponsor of a cricketing event called the Big bash. Name him and the brand. 
Colonel Harland Sanders founder of KFC. KFC is sponsoring the T20 Big bash cricket tournament currently being played in Australia. 
This chocolate brand was named after a young boy who frequented the candy shop, flirting with the girls who were working there. The owner on hearing his name often while being beseeched by the girls, named the product after him. Name this brand now owned by Nestle.
The chocolate bar Oh Henry. 
Who had launched a brand called Pingo?
Parle’s pineapple flavoured fruit drink which did not take off. 
The logos below represent companies that have the same name. Identify them. 

The first logo represents Merck of Darmstadt, Germany, the oldest pharmaceutical and chemical company in the world. The second one belongs to the US corporation Merck which merged with Schering Plough in 2009.
There were 18 all-correct entries for The Strategist quiz #236.The winners who will receive a copy of Smart Hiring At The Next Level are Achhey Lal, New Delhi; Ranjit Kamat, Mumbai; G S Dhillon, Jammu; Seema Ahmad, Madhepura; Gazala Shaikh, New Delhi; Indira Sudha, New Delhi; Syed Nausherwan, Patna; Pradeep Sarkar, Kolkata; U K Mishra, Faridabad; Arputha Samy, New Delhi. Achhey Lal also wins Rs 2,000.

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